Tag Archives: #Truth

You know

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RobinLK Studios, Creative by Discovery

Some things you just know, without understanding or reasoning. They just are.

From that first breath we’re privileged with, the gasp that comes from the longest silence, you know there is something greater than any understanding can reveal.

It’s a look. A smell. A touch that melts a hundred hardened hearts and can prompt the unfurling of the first delicate petal from the centre of a tightly bound rose. It unleashes an unimaginable, a vast infinite beyond comprehension.

It’s when time is nothing and growth is everything, when nothing can morph into everything and everything can become entirety. That first breath tells all. Is all. The first step, the first word spoken. It’s when a teenager admires a parent’s bravery, and that other teenager rises to speak her mind in forthright candour and with a strength you wish all people had.

In that, is a knowing that can’t be explained. It’s something that stirs deep within the youngest of people and oldest of souls, and prompts action when no action may be wanted. It comes on impulse voicing care and concern, as a surprise savvy loaded in activism that inspires and binds to accomplish more.

As the croon of tyre on bitumen can hum into daydreams of what was yesterday and what’s to come tomorrow, mumbles onto foreign lands can feel so familiar. To start over or return, it can be the same and one, as is the knowing and not knowing and catching a whiff to follow your nose when there is no scent.

It knows. As sure as the sun rises each morning and sets each night, even when it hovers in a haze of pink and orange to dance on a horizon and never really set or rise, you know. Deep in your centre, it calls. Even when a kick in the gut strikes in the dim of dark to seethe in swells and spits of molten lava, or the broken of heartache that has no end, in all its fragmented fracture, it knows what to do. It understands what is.

When a touch can send quivers into a rabid fever, when luminous and incandescent eyes of blue, green or brown pine unwavering into you, whether human, canine, feline or other living creature, you know. No matter where you are, what you’re doing or for how long.

It’s there in the last breath in a long line of breaths, bellying out as a knowing in one’s core of all that is. That knowing of instinct, you know it, even when you don’t know it.

And yet the simplest action for all of us is to listen. Hear that call, hear that knowing of instinct. It can flutter in the flap of a butterfly wing, or a bam-shazam punch of tungsten tough.

Stop. Breathe. Listen in silence.

What it is that we know, is in the pits of no end. Hone in on that knowing for in its centre, is the sound of love. Touch it. Stroke it. Gaze upon it. Taste it and smell it. Devour it. That’s all we need to know.

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A rickety bridge

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A slow sway pinches out a crying creak. It wavers and reverberates, motions in the belly as a slug of up and down. Yet there’s no whiff of breeze on a night where exposed roots choked by moss and lichen, and blades of grass tinged in dew sing in choral frets.

A stench of heavy fog squalls in as dense cumulonimbus clouds brimming in thunderstorms, lightning and intense, heavy rains, smothering everything two steps ahead. The way forward is only over worn, wooden slats of the narrow platform that vanishes into grey. Tattered, thin ropes tied to the platform and knotted for something to hold onto appear as mystical fraying fibres that float into that same invisible. Clutching them gives little confidence of their stability and peering into the nothing below that merges into the nothing above, spins that motion in the belly to groggy vertigo.

But in that empty unknown of underneath is a concealment that whispers magnitudinous esoteric breath. It’s there, somewhere, intentionally unseen but fused in super powers of nourishment and cherish.

Darkness becomes darker, a blackness of dull dread smothers the light of the moon. What it cannot do though, is hinder the fullness of energy from the orb of night that governs tides and emotion. It penetrates that dull of dread as the sun penetrates to suckle the earth.

Now to move, begin crossing these lopsided slats of old, no matter their dilapidated state or the huge holes in between. Move. There’s magic on the other side of the unknown. Trusting in that magic is imperative. One step forward, use the trembling to shift from a cement that’s cured beyond its use by date, beyond the malignant.

Such effort, such force needed when no force can be found. War drums hum stories of dire.

Breathe deep. Tune into those ropes and staunch buttresses standing quiet and resolute beneath. They’re there, powerful and strong as boulders rooted deep in love and care. Boulders of black and white … this is how it is. Boulders of nurture and coaching … you’ve got this, I’ve got you. Boulders stark with no qualms of question, all netted in silken thread studded in diamond particles.

A fibrous strand can sometimes loosen and the sway of the bridge swings to groans of pitching pain. Unicorns flounce and battle narwals in pristine points, ferrets flop up and down by the magic of a wand, round and round, tails curling over heads amongst schools of frenzy scattering at the circling of ominous danger, blurring all sight with a mass of silver-laced bubbles zapped by glints of moonlight … despairing gasps, desperate grasps … pushing through catches breath upon breath.

Breathe, draw from those stands of buttresses below when no sight can be seen.

Another breath. The bridge begins to steady. It’s now or never for that first heave of foot forward. Go. In shaking shimmy, the bridge steadies. The safety nets await amongst fairy flutters and flickers, regardless of how long or short the drop below might be.

A step forward and the tilt is greater than imagined, propels to clasp for ropes to stop from going over. Palms burn. Concentrated effort in the bracing for stability detracts from the alert needed of the gaping gaps. Sigh.

A glance behind to caressing fog, a sensuous tingle. The beginning’s obscured, gone. Silence blusters within the squeaks and groans. Moving forward is ominous and one foot steals the next step in quivering shiver without thinking or effort, without control. Dolphins battle lions battle sparrows on mass. There’s no turning back.

Knowing those quiet supports surround, even in the dreams of the gone, can prompt forward movement. Trust in the magic one cannot see or understand is all that can be and there comes a point where only doing will suffice and belief in the doing becomes the only way forward.

And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it. ~ Roald Dahl

 

Farm Reflections: Truth

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Truth, honesty, I could throw justice in here as well … words that stir memories of the opening credits to The Adventures of Superman.

Truth and honesty form the basis of creative nonfiction writing, and writing about the community that once existed on the Sewerage Farm at Werribee (the Farm) for more than 70 years. It’s a community that mostly disbanded from the Farm by 1974, with one remaining family leaving in 1980. And yet it’s a community that is still very much alive.

Truth can create speculation, however. What is true to one person may not be truth to another and could in fact be something entirely different. Take a football match of the early 1950s that women from the Farm played in that was recently discussed.

‘That’s Charlie in the middle,’ says MC.

‘No, it’s not,’ says MH. ‘That’s definitely not him.’

‘Yes, it is. Look at this other photo. It’s the same person.’

‘No, I don’t think you’re right. That’s not him.’

And on went the conversation. Yet the two discussing Charlie at this event of more than 60 years ago, were both there, both in the photo with Charlie.

Writing about life on the Farm involves various forms of investigation. Examining archival material to gather factual data is important, but at the core of this research is the capturing of the oral history. This is done by conducting interviews that can often extend over several hours and involve further questioning and talking.

People recollect memories that are discussed and captured as true stories. Truth can come unstuck here though because memories and recollections can be considered as subjective, with some believing they cannot be regarded as ‘truth’. They question, what is truth?

I’ll throw in some theory here where the creative nonfiction form of writing can be defined as a vehicle for telling true stories. Creative nonfiction is “true stories well told” (Gutkind, 2012).

Creative nonfiction allows for capturing the oral history of the Farm community through the exploration of complexities in events and people in full humanity. (Ricketson, 2014) Writing in this way provides an opportunity to explore and be curious, to discover what’s going on in the world. It can be a motivator to seek the ‘truth’.

Another story told recently is of the grocer from many years ago who made deliveries to households on the Farm. The grocer would take orders one day and return a few days later to make deliveries one household at a time. He’d never stay and move quickly from one place to the next, except for one home where he would stop for two or three hours.

He’d leave his horse and jinker loaded in goods outside and in that time, his horse would slowly make its way along the street while eating the grass. After a while, the local kids noticed this and the goodies in the unattended jinker and helped themselves to fruits, lollies and soft drinks.

Upon realising the missing, unpaid for goods, the driver soon stopped making his long house visits to Miss H.

L said to me before he told me the story, ‘Now this might be telling tales, but it’s the truth.’ It’s not only a truth in L’s eyes as he was there and saw it and was one of the kids doing the taking, it’s a truth as part of a life that is full of nuances, a true reflection of life in its full spectrum. It’s a truth expressed.

Sometimes, truths take time to germinate in that vessel of trust, like the story of a head bobbing in the sewage as it flowed in the channel onto the Farm. Upon close inspection, it was realised the head belonged to a foetus, an aborted or miscarried baby. That story took some time to be told but once it was, unravelled further. It was found that many foetuses had flowed into the Farm in the sewage channel. These were aborted babies in a time where abortion was illegal and thrown into the sewer, along with miscarriages. Watermen would find these foetuses, haul them out and bury them on the Farm. These whispers took months to be spoken of and can now be confirmed as true stories.

Seeking the truth is fraught with considerations and dilemmas. There are truths that aren’t expressed, for fear of reprisal, being outed and embarrassed, and of repercussions or being held accountable or liable, or because of an inability to face the truth for whatever reasons … can they be considered an untruth? Perhaps a lie?

Recollections expressed as a ‘pure truth’ as distinctly remembered or even a twist on the truth that has slowly grown into a legendary tale over time, they’re easy to work with. A fabrication however, where a memory can’t be recalled even though it has been well documented and in the public arena, that kind of ‘non’ recollection requires patience and persistence to carefully think through, investigate and discern, especially when it can impact other people.

Many recollections can be the only remaining truth in existence, to become the only truth. They can’t be verified and sometimes capturing them can become a race against time, where people that are part of the Farm community become unwell, too unwell to recall memories, and cease to live. I have arrived too late to speak to many who would have had a garden full of wonderful recollections to share if their memories and heart allowed.

Sometimes when the memories become so scattered and confused, only the heart knows the truth and miraculous things can happen. A stirring of the heart can shine a place of pure, unfiltered truth. It can emerge as a most glorious sunrise when us humans allow it.

Sharing truths, recollections and memories, can stir the heart and get people talking and asking questions. That’s got to be the silver lining in a project that has set out to document a social history.

 

NOTES

These reflections come from a PhD research project investigating a community that grew soon after the Melbourne and Metropolitan Board of Works was founded in 1891 to treat Melbourne’s sewage at Werribee. As Melbourne grew, so did the work force to manage the treatment of the sewage, and a community of workers and their families that lived on site. The population peaked to over 500 in the 1950s. All but one family left the township in 1974; the last family moved off site in 1980.

The plant continues to treat Melbourne’s sewage and is now known as Melbourne Water’s Western Treatment Plant. The plant is about the size of the island of Santorini in Greece.

For more information on the project, please visit https://www.facebook.com/MMBWFarm

The Farm is a colloquial term for the Melbourne and Metropolitan Board of Works (MMBW) at Werribee and now Melbourne Water’s Western Treatment Plant, currently treating nearly 60 percent of Melbourne’s sewage.

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